It was the first single to be released from the album and charted at #53 in the UK Singles Chart in April 1998 (see 1998 in British music).
It was released on 8 June 1998 as the third single from the album, charting at number twenty-two in the UK Singles Chart (see 1998 in British music).
"All I Wanna Do Is Make Love to You" was a success, spending two weeks at number two on the U.S. Billboard Hot 100, peaking at number eight in the UK Singles Chart, and reaching #1 in Canada and Australia.
Released as a single in November 1988, the song reached number 66 on the UK Singles Chart late in the year.
In the United Kingdom it became their biggest hit ever up to that point, entering at number 18 in the UK Singles Chart in February 1996.
Released as the second single from their first album released under the name "E-17", the song did not do as well as its predecessor, Each Time, making #12 on the UK Singles Chart.
Like the other three singles from the album, "Blame It on the Weatherman" reached #1 on the UK Singles Chart.
The album was finally released in July 1996 and promoted by the single, "I Believe" which made number 25 in the UK Singles Chart.
It was released on cassette, CD and 12" format accompanied by a B-side entitled "Get Down" as well as previous hit "I Know Where It's At" and a remix of "Never Ever". "Bootie Call" achieved chart success; topping the UK Singles Chart on 6 September 1998 and at the same time becoming the group's third consecutive number-one hit.
The title track from the first album, "Captain Beaky", was released as a 7 inch single with "Wilfred the Weasel" and "Blanche" on the B-side by Polydor in 1980; it reached Number 5 in the UK pop charts.
The electronica group The Prodigy famously sampled the episode "Mummy Should Know" for their UK 1991 hit single Charly, reaching number 3 in the UK Singles Chart.
It was released as a CD single on 3 September and reached No. 91 in the UK Singles Chart.
In the UK, the song gave the band another Top 20 hit, peaking at number 19 on the UK Singles Chart.
Released on 14 February 1996, the single peaked at #12 on the UK Singles Chart.
The track peaked at #55 on the UK Singles Chart when it was released in August 1995, and received support from urban radio.
Released in 1995, the single, which also features Kelly, peaked at number thirty-three on the UK Singles Chart.
The song was a "catchy rocker" that became a top five hit in the UK Singles Chart reaching number four.
The song peaked at #12 becoming one of the few U2 singles that failed to reach the top 10 in the UK Singles Chart.
Released as the fourth single on his second album Don't Be Cruel, it reached #3 on the Billboard Hot 100, #1 on the Hot Black Singles chart, and #6 on the UK Singles Chart.
It was the second single to be released from the album and charted at #47 in the UK Singles Chart in July 1998 (see 1998 in British music).
A huge #1 club hit in the United Kingdom of Great Britain and Northern Ireland (UK), it was less successful on the UK Singles Chart.
A number of additional remixes of the song, including one by Grant Nelson, were issued on 12" and CD in the United Kingdom in 1999, resulting in the song reaching #40 on the UK Singles Chart.
It was not until 1978 after moving to England that he scored his first hit single with "New York, New York (So Good They Named It Twice)" (an ode to his hometown), which spent two months in the UK Singles Chart, with its parent album Made It Through The Rain going Top 20 the following year.
Written by Gabrielle, and Ben Barson with The Boilerhouse Boys, after two disappointing single performances, "Give Me a Little More Time" returned Gabrielle to the UK top ten, peaking at #5, spending ten weeks inside the UK top 20 alone.
His most notable achievement was as co-writer of the 1982 UK Top 40 release "Strange Little Girl".
"Hard Magic" was Divine's last single to chart on the UK Singles Chart.
A fast-paced Eurodance track, it is one of Saint Etienne's biggest hits, reaching #11 on the UK Singles Chart.
The first single "Taken for Granted" peaked at #100 on the Australian ARIA Singles Chart and entered and peaked at #10 on the UK Singles Chart on May 28, 2000.
•
In the UK the album's first single "Taken for Granted" was released in June 2000 and peaked at #10 on the UK Singles Chart.
"How Long's a Tear Take to Dry?" reached number 12 in the UK Singles Chart in March 1999.
The song was released in 1997 and reached number 4 in the UK Singles Chart.
The single achieved success in the charts and peaked at #7, spent 12 weeks in the UK Singles Chart and was certified silver by the BPI for sales over 200k within the UK.
Featuring a wistful but resolute vocal set against a melodic synthesizer line, the track was a substantial hit on both sides of the Atlantic, reaching number nine on the Billboard Hot 100 as well as number seven on the UK Singles Chart.
It became the group's second top twenty single, charting at number fifteen on the UK Singles Chart.
The single failed to reach the same success as many of Detroit's previous releases, peaking at #107 on the UK Singles Chart.
The song was later covered by English New Wave band Japan which also proved a commercial success in the United Kingdom, climbing to #9 in the UK Singles Chart in July 1982.
Written by Ben Peters and produced by Ken Lindo, veteran reggae artist Boris Gardiner took the song to #1 on the UK Singles Chart for three weeks in August 1986.
The single debuted on April 11, 2010 on the UK Singles Chart at a current peak of #11, almost managing to enter the UK Top 10.
It was the third single to be released from the album and charted at #41 in the UK Singles Chart in October 1998 (see 1998 in British music).
"I'm So Beautiful" debuted on the UK Singles Chart at #58 before climbing to and peaking at #52 in its second week.
The single entered at number 12 on 24 April 1994 on the UK Singles Chart, climbing to its peak of number 8 three weeks later.
It was released as a single in May 1994, and reached #47 on the UK Singles Chart.
"What You Say" was released as a single on 1 December 1997 and peaked at #41 in the UK singles chart.
It was the first single to be released from the album and charted at #24 in the UK Singles Chart in September 1999 (see 1999 in British music).
The single was unsuccessful upon release, peaking at a low number sixty-two on the UK Singles Chart.
It was the third and final single to be released from her album The Sensual World in 1990, and peaked at no.38 on UK Singles Chart.
The single was another success for Barlow becoming his second #1 single on the UK Singles Chart.
The two most notable singles, "Hayling" and "Machine Says Yes", were co-written and sung by Icelandic singer Hafdís Huld and charted at No. 49 and No. 58 respectively on the UK Singles Chart.
Taken from the number-one album Different Class, it was released as a double A-sided single with "Sorted for E's & Wizz" in September 1995, and reached number two in the UK charts.
The track, which peaked at #124 on the UK Singles Chart when it was released in 1996, did not have a promotional video made to accompany it and remains Knight's second lowest charting single to date in the UK, after "After You".
The single was followed-up by the double A-side single "I Feel It/Thousand", which charted at number 38 on the UK Singles Chart.
The single entered in at #7 on 30 October 1994 on the UK Singles Chart, climbing to its peak of #4 a week later.
Released in March 1995 in the UK only, the song received positive reviews from music critics and eventually peaked at number thirteen in the UK Singles Chart, eventually spending 8 weeks in the charts.
"People Everyday" also becoming their biggest hit in the United Kingdom, where it peaked at number two on the UK Singles Chart in November 1992, behind End Of The Road by Boyz II Men.
Three of the five singles released for the episode debuted on the lower regions of the UK Singles Chart.
The song became successful, it peaked at number 37 on the US Billboard Hot 100 Airplay chart, as well as reaching number two on the Hot R&B/Hip-Hop Songs chart, whilst reaching number sixteen on the UK Singles Chart.
In 1980 the album You'll Never Know saw some major chart success with "The Groove" (it reached number 7 in the UK Singles Chart).
"Rubberband Girl" was released on 6 September 1993 and peaked at number 12 in the UK Singles Chart.
The song We All Stand Together from the film's soundtrack reached #3 when released in the UK Singles Chart.
It is the band's biggest hit commercially to date, peaking at #3 on the UK Singles Chart, with the remixed version reaching #4.
Although a success in the United States, peaking at No. 5 in the Billboard Hot 100 and 2 weeks at No. 1 in Canada's RPM Magazine, the song barely managed to score among the Top 50 in Dolby's native United Kingdom, peaking at No. 49 in the UK Singles Chart.
The single was written by Keith Nunnally, and it peaked in the UK Singles Chart at number eighty.
It was released on 25 October 1993 and reached #22 in the UK Singles Chart.
The song is the album's opening track, and was released as its second single, peaking at #5 in the UK Singles Chart (see 2000 in British music).
Hits 12 features one song which reached number one on the UK Singles Chart: "World in Motion".
The band's first two singles, "The Key", released in September 1993, and "Switch", released in March 1994, made the UK Singles Chart Top 50, and garnered rave reviews from both dance and indie reviewers.
The track peaked at #9 on the UK Singles Chart, making it the group's second highest charting release to that date.
"Never, Never Gonna Give Ya Up" was also a hit on the UK Singles Chart, peaking at #14.
"Sweet Like Chocolate" went to number one on the UK Singles Chart, achieved platinum status and was a top ten in a number of countries.
The tracks peaked at No. 63 and No. 58 respectively, in the UK Singles Chart.
It peaked at number six on the UK Singles Chart in early 1995, their highest UK chart position since 1983, spending a total of nine weeks in the chart.
The song charted at #22 in New Zealand and #71 on the UK Singles Chart.
It was released in May 1997, just after their UK and U.S. Dance Number 1 hit, Things Can Only Get Better, was re-released for the second time, re-entering the UK Top 20 Singles Chart at Number 19.
"The City Is Mine" was a little commercial success reaching #52 on the Billboard Hot 100 and #38 on the UK Singles Chart.
The movie's theme song "Invincible" by Pat Benatar peaked at number 10 on the Billboard Hot 100 in September 1985, while Billy Idol's reissue of his single "Rebel Yell" climbed up to number six on the UK Singles Chart in October 1985 after its first unsuccessful release in 1984.
Reaching number 8 in the UK Singles Chart, the single became Morrissey's first top ten hit since "Interesting Drug" in 1989.
While the song peaked at number 31 on the UK Singles Chart, it fared considerably better in the United States, where it reached number five on the Billboard Hot 100 in March 1986, remaining in the top 40 for 13 weeks.
In 1992 Scottish band Texas covered "Tired of Being Alone", which became a substantial hit in the United Kingdom, reaching no. 19 on the official UK Singles Chart.
Notable cover versions of the song were recorded by Donny Hathaway (on his 1970 album Everything Is Everything), Aretha Franklin (on her 1972 album Young, Gifted and Black) and Bob and Marcia (whose 1970 recording reached number 5 in the UK Singles Chart).
In the U.K., the song was released in October reached #17 on the British pop chart.
It was also released as a single, reaching number 20 in the UK Singles Chart in 1998.
The song was released in 1997 and reached number 5 in the UK Singles Chart.
As a single, it was released on 1 October 1995 and reached number 15 on the UK Singles Chart.
Digital U-MYX Sales are UK Chart eligible and count towards the artists chart position.
"Waitin' for a Superman" (subtitled "Is It Gettin' Heavy??" for the song's U.S. album release) is a song by The Flaming Lips, released as the second single taken from their 1999 album The Soft Bulletin, and reaching No. 73 in the UK Singles Chart.
"Walk on Air" failed to replicate the success and peaked at #62 in the UK Singles Chart.
It became a top ten hit for Michael, charting at number ten in the UK Singles Chart, staying on the charts for four weeks and remains Bourke's only hit.
It was only released in the United Kingdom and peaked at #43 on the UK Singles Chart.
It was the fourth and final single to be released from the album and charted at #19 in the UK Singles Chart in February 1999 (see 1999 in British music).
The song "Start Choppin'" was their biggest hit, hitting number 3 on the Modern Rock Tracks chart in the U.S., and the Top 20 of the UK Singles Chart.
It continued their bad chart run, only managing to reach #66 on the UK Singles Chart for one week only.
It reached #1 on the UK Singles Chart making it their first number one single in the UK.
The song had debuted at number twenty-four on the UK Singles Chart, but had descended the charts finishing at number seventy-three then falling out.
In the United Kingdom, Rod Stewart released "You Send Me" as part of a medley with "Bring It on Home to Me" and charted it on the UK Singles Chart at #7 as a double A-side with "Farewell".
It is the second single released from his debut studio album Curtis Stigers and peaked at number six in the UK Singles Chart in 1992.
"You're in a Bad Way" was one of the group's biggest hits, reaching #12 on the UK Singles Chart.
UK Singles Chart | record chart | chart | UK Albums Chart | UK Indie Chart | Pedigree chart | 2005 Australian Open – Men's Singles | UK singles chart | 2014 Australian Open – Men's Singles | 2008 Australian Open – Men's Singles#Finals | The Album Chart Show | Record chart | Irish Singles Chart | 2007 Cincinnati Masters - Men's Singles#Finals | Women's singles | The Singles Ward | Table tennis at the 2008 Summer Olympics – Women's singles | Table tennis at the 2004 Summer Olympics – Women's singles | Snellen chart | Pareto chart | Men's Singles | Chart Show TV | Chart (magazine) | Bubbling Under Hot 100 Singles | ''Billboard'' Hot Latin Tracks chart | 2010 Internazionali BNL d'Italia – Men's Singles | 2008 Wimbledon Championships – Men's Singles#Finals | 2007 Wimbledon Championships – Men's Singles#Finals | 2007 French Open – Men's Singles#Finals | 1998 Australian Open – Men's Singles |
It was released in the United Kingdom on 5 October 1992 and peaked at number 7 on the UK Singles Chart.
The best known version of the song is the 1967 single released by The American Breed that peaked at #5 on the US Billboard Hot 100 in early 1968 and #24 in the United Kingdom.
The song was released on 28 July 1997 and reached #5 on the Official UK Singles Chart.
It reached No. 39 in the UK, the only Ooberman single to date to make the UK Singles Chart Top 40.
In November 1977, the band reached number 2 in the UK Singles Chart with their recording of "The Floral Dance", where they stayed for nine weeks, only surpassed at the time by "Mull of Kintyre" (the first UK single to sell more than two million copies, and third best selling UK single of all time).
In December 2005, the choir recorded the EMI Album 'Cantamus' one track of which entered the UK Singles Chart with their cover version of "Everybody's Gotta Learn Sometime".
Released as a single in January 1991, "Cry for Help" reached the Top 10 on both the UK Singles Chart in the United Kingdom as well as the U.S. Billboard Hot 100 chart, where the song peaked at No. 7 on both sides of the Atlantic.
His biggest hit to date was "Mysterious Girl", as recorded by Peter André On its third release after chart positions 53 & 2 the track eventually reached No. 1 in the UK Singles Chart, following André's appearance on I'm a Celebrity...Get Me Out of Here!.
The song was a bigger hit and peaked at number eight on the UK Singles Chart.
Those were his only U.S. hit singles, although his version of "When Your Old Wedding Ring Was New" twice appeared in the UK Singles Chart.
Despite its success, it only managed to reach 179th on the UK Singles Chart
The single peaked to number 1 on the UK Singles Chart in early-June 2012, the song was also a Top 5 hit in Australia, Belgium, Netherlands and New Zealand.
The Liverpool Wall of Fame on Mathew Street, Liverpool, England, in front of the Cavern Club is a litany of, and a tribute to, the groups which played at the original Cavern Club, including acts from the city which have reached number one in the UK Singles Chart.
It holds an important place in the history of house music as the first record in that genre to cross over from the clubs into the UK Singles Chart.
"Rolex Sweep" is the first single from the album it was released on 15 September 2008; it reached number 89 on the UK Singles Chart.
AlunaGeorge went on to have a number 2 hit on the UK Singles Chart with White Noise in collaboration with Disclosure, and their album, Body Music reached number 11 on the UK Album Chart.
"Owner of a Lonely Heart" has been remixed numerous times, including by 808 State ("2 Close to the Edge Mix" and "Not Fragile Mix" on the 1991 CD single ressue), in 2004 by Deep Dish, and most notably by Max Graham in 2005, whose version reached number nine in the UK Singles Chart.
Although the song was less successful than the first two single before, it is the only Depeche Mode single to chart higher on the Billboard Hot 100 (#15) than on the UK Singles Chart (#16), as well as peaking at number two on the American dance charts.
It was recorded live at the London Palladium and released as a double A side along with Gamblin' Man and reached #1 in the UK charts in June and July 1957, where it spent two weeks in this position.This was the last record to reach the top of the charts that was only released in 78 format,the original Pye Nixa does not exist in 7" format although was re-released on a 7".
In 1991, Australian singer Dannii Minogue released a cover of "Baby Love" as a single, reaching #14 in the UK Singles Chart.
Released on the Hansa label, it entered the UK Singles Chart on 10 July 1982; it reached a peak of number 19, and remained in the chart for 8 weeks.
In 1991, the song was remixed by Julian Mendelsohn and released as Say Hello, Wave Goodbye '91 to promote the compilation album Memorabilia - The Singles, it reached number 38 on the UK Singles Chart.
It was a hit across the Atlantic Ocean, as well, peaking at number six in the UK Singles Chart (spending a total of 13 weeks on that chart from 22 November 1986).
It was a moderate commercial success, reaching the top forty on the Australian and United Kingdom singles charts.
It's Harry's last single to chart on the UK Singles Chart to date and the single didn't make any other major chart besides in the UK.
"Iko Iko", a cover of The Dixie Cups' 1965 hit (later featured in the 1988 movie Rain Man), was The Belle Stars' long-hoped-for UK Singles Chart debut, peaking at a modest number 35 in June 1982.
They were signed by London Records and had three minor UK Singles Chart hits in 1990 before breaking into the top 30 in 1991 with a revamped version of their debut single, the Martin Hannett-produced "Box Set Go".
He achieved his first national exposure on night time BBC Radio 1 in the mid-1980s, with the singles "It's Good To Have The Feeling You're The Best" and "Complain Neighbour" (on Greensleeves Records), before achieving a UK Top 40 hit in 1986 with "Hello Darling".
It made its debut at number 5 in the run up to Christmas selling almost 100,000 and peaked at number 2 on the UK Singles Chart the following year.
The Mike Hurst-produced version went on to spend three weeks at the top of the UK Singles Chart in December, and has since sold over a million copies in the UK.
The song rose to fame in September 2013 after being featured on a Tesco F&F television advertisement, so far peaking at number seven on the UK Singles Chart.
The single managed to chart at Number 16 on the UK Singles Chart making it their only single not to reach the Top 15.
In the United Kingdom, the song debuted at number sixteen on the UK Singles Chart, until descending to number sixty-three, staying in the charts for three weeks.
It reached #18 in the UK Singles Chart as the highest charting single from the album, after which the band made its debut appearance on Top of the Pops.
In April 1997, the song was released as the first single from that album, peaking at number 19 in the UK Singles Chart (see 1997 in British music).