This was also released as a single, which peaked at no. 16 in the UK Singles Chart (May 1992), making it the band's highest charting single between 1987 and 2004.
Released on 7 November 1994, the single climbed to number 26 in the UK Singles Chart.
Released as a single in November 1988, the song reached number 66 on the UK Singles Chart late in the year.
In the United Kingdom it became their biggest hit ever up to that point, entering at number 18 in the UK Singles Chart in February 1996.
It reached #20 in the UK charts and includes a cover of "We Gotta Get out of This Place" by The Animals, as well as the songs "Bad Days" and "The Unluckiest Man in the World".
With Barbara, the situation was reversed: she did some acting, but found more popularity as a singer, with two hits in the UK Singles Chart.
Released as the second single from their first album released under the name "E-17", the song did not do as well as its predecessor, Each Time, making #12 on the UK Singles Chart.
It reached No. 39 in the UK, the only Ooberman single to date to make the UK Singles Chart Top 40.
The album was finally released in July 1996 and promoted by the single, "I Believe" which made number 25 in the UK Singles Chart.
Breekout Krew was an American male vocal duo, which had a single called "Matt's Mood", in the UK Singles Chart.
Outside of the United States, the song reached #1 on the New Zealand Singles Chart and peaked at #18 on the UK Singles Chart.
The title track from the first album, "Captain Beaky", was released as a 7 inch single with "Wilfred the Weasel" and "Blanche" on the B-side by Polydor in 1980; it reached Number 5 in the UK pop charts.
CD singles were first made eligible for the UK Singles Chart in 1987, and the first number 1 available on the format in that country was "I Wanna Dance with Somebody (Who Loves Me)" by Whitney Houston in May 1987.
The electronica group The Prodigy famously sampled the episode "Mummy Should Know" for their UK 1991 hit single Charly, reaching number 3 in the UK Singles Chart.
Released as a single in January 1991, "Cry for Help" reached the Top 10 on both the UK Singles Chart in the United Kingdom as well as the U.S. Billboard Hot 100 chart, where the song peaked at No. 7 on both sides of the Atlantic.
In the UK, the song gave the band another Top 20 hit, peaking at number 19 on the UK Singles Chart.
Released on 14 February 1996, the single peaked at #12 on the UK Singles Chart.
Released in 1995, the single, which also features Kelly, peaked at number thirty-three on the UK Singles Chart.
He also successfully diversified into symphonic pop and an arrangement of his Saint theme reached number five in the UK Singles Chart.
The song peaked at #12 becoming one of the few U2 singles that failed to reach the top 10 in the UK Singles Chart.
Released as the fourth single on his second album Don't Be Cruel, it reached #3 on the Billboard Hot 100, #1 on the Hot Black Singles chart, and #6 on the UK Singles Chart.
A number of additional remixes of the song, including one by Grant Nelson, were issued on 12" and CD in the United Kingdom in 1999, resulting in the song reaching #40 on the UK Singles Chart.
Still the term "featuring" was used as early as in the July 1954 UK Singles Chart by "The Four Aces featuring Al Alberts" with "Three Coins In The Fountain" at 5th place.
Released on 12 October 1998, it peaked at #1 on the UK Singles Chart; however, it was the lowest-selling UK number-one song of 1998, reaching just #109 on the year-end chart.
A fast-paced Eurodance track, it is one of Saint Etienne's biggest hits, reaching #11 on the UK Singles Chart.
The first single "Taken for Granted" peaked at #100 on the Australian ARIA Singles Chart and entered and peaked at #10 on the UK Singles Chart on May 28, 2000.
The single was released on 30 March 1992, and reached #33 on the UK Singles Chart.
Released on July 19, 1999 as the album's lead single, it peaked at #15 on the UK Singles Chart, #2 on the US Hot Dance Club Play chart, and #66 on the US Hot Singles Sales.
It became the group's second top twenty single, charting at number fifteen on the UK Singles Chart.
The single failed to reach the same success as many of Detroit's previous releases, peaking at #107 on the UK Singles Chart.
The song was later covered by English New Wave band Japan which also proved a commercial success in the United Kingdom, climbing to #9 in the UK Singles Chart in July 1982.
Written by Ben Peters and produced by Ken Lindo, veteran reggae artist Boris Gardiner took the song to #1 on the UK Singles Chart for three weeks in August 1986.
The single debuted on April 11, 2010 on the UK Singles Chart at a current peak of #11, almost managing to enter the UK Top 10.
It was the third single to be released from the album and charted at #41 in the UK Singles Chart in October 1998 (see 1998 in British music).
"I'm So Beautiful" debuted on the UK Singles Chart at #58 before climbing to and peaking at #52 in its second week.
Although never released as an official single, the song has charted on two separate occasions on the UK Singles Chart.
The song struggled to make an impact in the charts after the success of "Lovestruck", and peaked at #44 in the UK Singles Chart.
They released their fourth single "Suffocate", along with a music video, on 19 February 2001 where it reached number 39, on the UK Singles Chart.
List of UK top 10 singles is a series of lists showing all the singles that have reached the top 10 (top 12 in 1952 and 1953) on the UK Singles Chart in a particular year.
It peaked at number three in the UK Singles Chart, ending their string of consecutive number-one singles.
It was the third and final single to be released from her album The Sensual World in 1990, and peaked at no.38 on UK Singles Chart.
Although the song did not reach the Billboard Hot 100 chart, it peaked at #8 on the Modern Rock Tracks chart in the United States and, in a heavily remixed form with re-recorded vocals and less of a rock influence, was the band's biggest hit single in the UK, peaking at #12 on the UK Singles Chart.
In the United Kingdom, "Love Will Keep Us Alive" peaked at No. 52 on the UK Singles Chart.
The single was another success for Barlow becoming his second #1 single on the UK Singles Chart.
The single which was produced by Mike Chapman became her lowest charting single in the UK, peaking outside the Top 75 at #89 and it subsequently fell off the chart after just two weeks, which made it the lowest single of Harry's to chart on the UK Singles Chart.
"Rolex Sweep" is the first single from the album it was released on 15 September 2008; it reached number 89 on the UK Singles Chart.
Taken from the number-one album Different Class, it was released as a double A-sided single with "Sorted for E's & Wizz" in September 1995, and reached number two in the UK charts.
It was released as the third single from his second studio album Seal (aka Seal II) in October 1994, and peaked at #45 in the UK Singles Chart.
It was not a success, charting at number 47 on the UK Singles Chart.
The single however seemed a bit of a letdown abroad, not charting in the United Kingdom or Asia, or the Hot 100.
Reaching number 15 in the UK, it followed "The Only One I Know" and "Then" into the UK top 20, and reached number seven in Ireland, where it remains the group's only top 10 hit.
"People Everyday" also becoming their biggest hit in the United Kingdom, where it peaked at number two on the UK Singles Chart in November 1992, behind End Of The Road by Boyz II Men.
Although the song was less successful than the first two single before, it is the only Depeche Mode single to chart higher on the Billboard Hot 100 (#15) than on the UK Singles Chart (#16), as well as peaking at number two on the American dance charts.
In 1980 the album You'll Never Know saw some major chart success with "The Groove" (it reached number 7 in the UK Singles Chart).
The single was written by Keith Nunnally, and it peaked in the UK Singles Chart at number eighty.
Hits 12 features one song which reached number one on the UK Singles Chart: "World in Motion".
It is also their fourth consecutive top ten single, peaking at #10 in the UK Singles Chart.
The band's first two singles, "The Key", released in September 1993, and "Switch", released in March 1994, made the UK Singles Chart Top 50, and garnered rave reviews from both dance and indie reviewers.
The track peaked at #9 on the UK Singles Chart, making it the group's second highest charting release to that date.
It's Harry's last single to chart on the UK Singles Chart to date and the single didn't make any other major chart besides in the UK.
In the UK, the track reached a peak of #11 while it reached #3 in their homeland of Australia1 and #1 in Canada.
"Sweet Like Chocolate" went to number one on the UK Singles Chart, achieved platinum status and was a top ten in a number of countries.
The tracks peaked at No. 63 and No. 58 respectively, in the UK Singles Chart.
It peaked at number six on the UK Singles Chart in early 1995, their highest UK chart position since 1983, spending a total of nine weeks in the chart.
"The City Is Mine" was a little commercial success reaching #52 on the Billboard Hot 100 and #38 on the UK Singles Chart.
The song was released in 1996 and reached number 4 in the UK Singles Chart.
"Where Did Your Heart Go?" was later given an equal billing and reached a lowly position in the UK Top 40 as a result.
As a result, having been released in February 1996, it reached number 15 in the UK Singles Chart, paving the way for the success of the next two singles, "You've Got It Bad" (7) and "The Day We Caught the Train" (4) and the album Moseley Shoals.
While the song peaked at number 31 on the UK Singles Chart, it fared considerably better in the United States, where it reached number five on the Billboard Hot 100 in March 1986, remaining in the top 40 for 13 weeks.
"This Time I Found Love" reached number 33 on the UK Singles Chart in 1994 It stayed on the Top 40 for two weeks.
In 1992 Scottish band Texas covered "Tired of Being Alone", which became a substantial hit in the United Kingdom, reaching no. 19 on the official UK Singles Chart.
A single called "The One (That Got Away)" was released on 23 October 2006, but spent only one week at number 35 (lower than any of the members' previous groups previous positions, with the exception of Jimmy Constable) after entering the UK Singles Chart on 29 October.
The song was released in 1997 and reached number 5 in the UK Singles Chart.
The song had a great success in many countries including the UK, where it reached number two on the singles chart.
As a single, it was released on 1 October 1995 and reached number 15 on the UK Singles Chart.
The Mike Hurst-produced version went on to spend three weeks at the top of the UK Singles Chart in December, and has since sold over a million copies in the UK.
"Waitin' for a Superman" (subtitled "Is It Gettin' Heavy??" for the song's U.S. album release) is a song by The Flaming Lips, released as the second single taken from their 1999 album The Soft Bulletin, and reaching No. 73 in the UK Singles Chart.
It was the band's most successful single, getting to number 12 in the UK Singles Chart in 1997.
While "Boom Boom Boom Boom" was still on the UK chart, "We're Going to Ibiza" reached number one on the UK Singles Chart, as the previous single had also done.
It was only released in the United Kingdom and peaked at #43 on the UK Singles Chart.
It was the fourth and final single to be released from the album and charted at #19 in the UK Singles Chart in February 1999 (see 1999 in British music).
The song "Start Choppin'" was their biggest hit, hitting number 3 on the Modern Rock Tracks chart in the U.S., and the Top 20 of the UK Singles Chart.
In the United Kingdom, Rod Stewart released "You Send Me" as part of a medley with "Bring It on Home to Me" and charted it on the UK Singles Chart at #7 as a double A-side with "Farewell".
"You're in a Bad Way" was one of the group's biggest hits, reaching #12 on the UK Singles Chart.
In April 1997, the song was released as the first single from that album, peaking at number 19 in the UK Singles Chart (see 1997 in British music).
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It was released in the United Kingdom on 5 October 1992 and peaked at number 7 on the UK Singles Chart.
"All I Wanna Do Is Make Love to You" was a success, spending two weeks at number two on the U.S. Billboard Hot 100, peaking at number eight in the UK Singles Chart, and reaching #1 in Canada and Australia.
In November 1977, the band reached number 2 in the UK Singles Chart with their recording of "The Floral Dance", where they stayed for nine weeks, only surpassed at the time by "Mull of Kintyre" (the first UK single to sell more than two million copies, and third best selling UK single of all time).
In December 2005, the choir recorded the EMI Album 'Cantamus' one track of which entered the UK Singles Chart with their cover version of "Everybody's Gotta Learn Sometime".
The song eventually reached number one in the UK Singles Chart as part of the double A side single along with Wet Wet Wet's "With a Little Help from My Friends".
"Favourite Things" became Big Brovaz third UK top ten hit, peaking at number two and spending three months inside the UK top seventy-five.
Written by Gabrielle, and Ben Barson with The Boilerhouse Boys, after two disappointing single performances, "Give Me a Little More Time" returned Gabrielle to the UK top ten, peaking at #5, spending ten weeks inside the UK top 20 alone.
His biggest hit to date was "Mysterious Girl", as recorded by Peter André On its third release after chart positions 53 & 2 the track eventually reached No. 1 in the UK Singles Chart, following André's appearance on I'm a Celebrity...Get Me Out of Here!.
"How Can I Be Sure" was revived in 1972 with a version from David Cassidy, which became a major hit on both sides of the Atlantic, reaching #25 on the Billboard Hot 100 and spending two weeks at #1 on the UK singles chart.
The song was a bigger hit and peaked at number eight on the UK Singles Chart.
The song was released in 1997 and reached number 4 in the UK Singles Chart.
He directed and appeared in the music video for the Droideka track "Get Hyper", which charted on the UK Dance Chart, UK Indie Chart, and UK Singles Chart.
It holds an important place in the history of house music as the first record in that genre to cross over from the clubs into the UK Singles Chart.
The song peaked at #31 on the UK Singles Chart, and is the last single of Level 42 to enter the charts.
While the single and album had limited success in his home country of the U.S., Newberry's single was popular enough across the Atlantic to reach #6 on the UK Singles Chart, his only significant chart hit in either country.
AlunaGeorge went on to have a number 2 hit on the UK Singles Chart with White Noise in collaboration with Disclosure, and their album, Body Music reached number 11 on the UK Album Chart.
The single was followed-up by the double A-side single "I Feel It/Thousand", which charted at number 38 on the UK Singles Chart.
"Owner of a Lonely Heart" has been remixed numerous times, including by 808 State ("2 Close to the Edge Mix" and "Not Fragile Mix" on the 1991 CD single ressue), in 2004 by Deep Dish, and most notably by Max Graham in 2005, whose version reached number nine in the UK Singles Chart.
The song was released in 1999 and reached number 13 in the UK Singles Chart.
The song became successful, it peaked at number 37 on the US Billboard Hot 100 Airplay chart, as well as reaching number two on the Hot R&B/Hip-Hop Songs chart, whilst reaching number sixteen on the UK Singles Chart.
It was recorded live at the London Palladium and released as a double A side along with Gamblin' Man and reached #1 in the UK charts in June and July 1957, where it spent two weeks in this position.This was the last record to reach the top of the charts that was only released in 78 format,the original Pye Nixa does not exist in 7" format although was re-released on a 7".
"Race for the Prize" is a song by The Flaming Lips, released as the first single taken from their 1999 album The Soft Bulletin, and reaching #39 in the UK Singles Chart as the highest charting single from the album.
In 1991, the song was remixed by Julian Mendelsohn and released as Say Hello, Wave Goodbye '91 to promote the compilation album Memorabilia - The Singles, it reached number 38 on the UK Singles Chart.
It was a moderate commercial success, reaching the top forty on the Australian and United Kingdom singles charts.
"Stop Crying Your Heart Out" debuted and peaked at number two on the UK Singles Chart and reached a peak of number six on the UK Indie Chart.
When "With A Little Help" reached number one in the UK Singles Chart they found themselves accompanying Cocker on several television programmes including Top of the Pops.
In the United Kingdom, the song peaked at number two on the UK Singles Chart whilst Elton John's "Candle in the Wind 1997" was at number-one.
"Iko Iko", a cover of The Dixie Cups' 1965 hit (later featured in the 1988 movie Rain Man), was The Belle Stars' long-hoped-for UK Singles Chart debut, peaking at a modest number 35 in June 1982.
A second song by Bayer and Wine, "Ashes to Ashes," took the Mindbenders to No. 14 in the UK Singles Chart in the autumn of 1966, after an earlier effort in 1966, "Can't Live With You (Can't Live Without You)" had struggled to break the UK Top 30.
He achieved his first national exposure on night time BBC Radio 1 in the mid-1980s, with the singles "It's Good To Have The Feeling You're The Best" and "Complain Neighbour" (on Greensleeves Records), before achieving a UK Top 40 hit in 1986 with "Hello Darling".
It was also released as a single, reaching number 20 in the UK Singles Chart in 1998.
The single combined "Good Evening Friends" with the more fuller titled "Up Above My Head, I Hear Music in the Air" (Philips PB 708), and peaked at number 25 in the UK Singles Chart.
The single, released 15 October 1992, peaked at #18 on the Billboard Hot 100, but did not chart on the UK Singles Chart.
The single managed to chart at Number 16 on the UK Singles Chart making it their only single not to reach the Top 15.
As the follow-up to their previous single, the #2 hit "Nature's Law", "World at Your Feet" became another commercial success for Embrace, marking their second UK Top 3 single by peaking at #3 in the UK Singles Chart.
The song had debuted at number twenty-four on the UK Singles Chart, but had descended the charts finishing at number seventy-three then falling out.